A Film to Help Baseball Fans Through the Winter

The film ends with a now legally blind 93 year old Hano celebrating his birthday, how else, by reminiscing about the great New York Giants pitcher Carl Hubbell and throwing a few screwballs, his and Hubbell's favorite pitch, to Leonoudakis. Leonoudakis crouches like a catcher, with his fielder's glove on his right hand, as both he and Hano, like the great Carl Hubbell are lefties, to receive the pitches. As the ball travels across about 30 feet, as far as Hano can throw now, it also travels across almost all of baseball history. The history contained in the arc of Hano's screwball is that of the personal stories, favorite players, beloved teams and memories of days in the bleachers that exists inside of all real baseball fans, even those of us who, unlike Hano, never saw the Babe, Don Larsen or Willie Mays.

Fat Elvis and the Hall of Fame

Berkman's Hall of Fame fate is a measure of how the Hall of Fame voters punish both steroid users, for their steroid use, as well as clean players for not being quite as good as their steroid using opponents. The result of this will be a Hall of Fame with the excellent sluggers from previous generations, but only the very best, more accurately only some of the very best, from the last twenty years or so.

Don Larsen, Manny Mota and the 1962 Giants

Fifty years after that tough defeat, and more importantly two years after finally getting their World Series victory, Giants fans can look at that 1962 team more charitably. They can recognize the impressive talent and interesting baseball stories that were brought together on that team. It is still possible, but not likely, that that great World Series will be commemorated by a 50th anniversary rematch. Even if this does not occur, it is worth taking a few minutes this October to remember this extraordinary team that came up just a foot or so short of a championship.

Reading Willie Mays, Reflecting on San Francisco and Willie McCovey

 

During his time in San Francisco, Mays rapidly became integrated into that city’s civic leadership becoming a fixture at fundraising events and in the media while becoming close with San Francisco’s political, financial and cultural elite. The San Francisco in which Hirsch describes Mays as living is one about which little is written. It was a San Francisco beginning to undergo substantial change, but one that was still, after a fashion, a prosperous post-war middle class American city. Hirsch’s descriptions of that world should be interesting to San Franciscans who do not even like baseball.